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Update: Apropos colours (not forgetting the beautiful character designs), look what a beautiful piece of fun the good girls an' boys from BlueSky pulled of (again). Cheers to Willie, Jake and all the other talented wizards who were part of it! Voila, the first two minutes of RIO:
This is Branda, she can change her brand mark and colour depending on her mood.
I'm back from teaching at the Animation Workshop Art College in Viborg and - not surprisingly - it was a ball. Willie Real and I had a wonderful time. The students are smashingly talented and the campus, with state-of-the-art equipped facilities and a homely teachers' house, is really nicely located. Moreover, Anja and Lana, the coordinators, were extremely caring and super-kind all around.
Like Willie already wrote on his blog. This school is top-notch, it's definitely one of the best art schools in Europe when it comes to design and animation (well, I don't like words like "best" or "top" that much in connection with art and design but - what the heck, it's so true here).
Furthermore, we had the joy of having London based Christian DeVita stay with us, head of storyboard of Wes Anderson's "The Fantastic Mr. Fox" and Tim Burton's upcoming "Frankenweenie", plus Italian chef (man, this gangster can cook) and party tiger extraordinaire as well. He's an orchestra all in one :)
By the by, did I tell you that the Gruffalo brought me there? Some sort of, to be honest. Its director Jakob Schuh was calling me if I could go to Viborg in January instead of him, because he's too busy with things at that time. Actually, he and Uwe Heidschoetter, if I heard Jakob right, were designated to do the design class. Anyway, my schedule was ideal, so I checked back with Willie and asked if he could come over from NYC to join me for this week and - tataa - there we were :)
I promise I will reply to the comments of the last couple of posts as soon as I'm back to my drawing desk on Tuesday. Take care everyone!
Update: Here are some quick pieces I did the first days in regards of line of action, pose and movement etc... the deer-ish creature on the sheet right below is btw based on a student team's (Stinna and Christoffer) creature concept.
Here's another piece based on a student's (Elisabet) design:
Recently, my graphic tablet got broke, so I configured my new one by doing this rough warm-up piece. It was the first time I did the mouse house's mouse, I guess. I drew Mickey btw from mind, so don't judge me too hard ;)
BTW, can someone stop me from drawing freakin' antennas on everything!
100% Photoshop and Wacom Intuos4
I'm always sketching in blue and then, for instance, I convert it in those warm earth tones.
So, I'm really happy that Toby Skybuckle is back on my desk after a longer production time-out due to some publishing business reasons etc. Anyway, things are (still) really promising and I'm looking forward to getting Toby started (again).
This sheet here is a rough development piece with no further relevance for the story:
Florian Satzinger is a member of the Creative Talent Network, a community for the world's leading creators of both traditional and digital animated films.
«Florian Satzinger has a drawing style with a snap and verve that harken back to the best of classic Disney and mid 20th Century Warner Brothers animation.
The lines with which he delineates his characters zing, bounce and swoop so delightfully that they suggest lively motion even before they’re animated.
Satzinger credits Southworth as his major influence, and his work in the style of great classic hand-drawn animation shows his continuation of that tradition.»
DUCK - The Mag For The Birds Presents: Florian Satzinger's BIRDS AND PENCILS
"A superb book filled with some of the best character and vehicle design around the wit involved is fabulous. This book is especially for those of you who loved the Ducktales and Darkwing Duck cartoons of the late Eighties and early Nineties." Amazon UK
Florian Satzinger is one of the members of The Art Center, a place where artists from Disney, Dreamworks, Lucasfilm, Fox Animation, etc. share ideas, tips and tutorials. The Art Center is a sister site of the popular Character Design weblog.
In May 2009, Florian Satzinger gave workshops within the scope of The Genio Fiorentino 2009, on the occation of the Nemoland event/conferment of the Nemoland Special Award in the
Aula Magna at the Instituto Statale d' Arte of Florence, Italy. Former Nemoland workshop hosts/award recipients were animation
directors and animators such as Don Bluth, Gary Goldman, Alex Orrelle (Pixar) and J.P. Vine (Aardman Studios).
Besides that, there was an exhibition of Florian Satzinger's original artwork at the Gipsoteca of the Instituto Statale d'
In Loving Memory
Ken Southworth (September 22, 1918 - December 6, 2007) worked for a number of major animation studios, including Walt Disney Studios, Hanna-Barbera, Filmation, Warner Bros., MGM, Walter Lantz and Clokey Productions. His credits includes Disney's Alice In Wonderland, Cinderella and The Legend of Sleepy Hollow as well as Hanna-Barbera's Tom & Jerry and The Flintstones and Walter Lantz' Woody Woodpecker.
JANUARY 10-14, 2011 Willie Real and Florian Satzinger will team up to host a character design programme at VIA University College's Animation Workshop in Viborg, Denmark. ANIMATIONWORKSHOP.DK
MARCH 4, 2011, 20:00h Maryam Laura Moazedi and Florian Satzinger will give presentations about stereotypes in character design and visual design for computer games at the Ars Electronica Center in Linz, Austria. ARS ELECTRONICA CENTER